Abstract
In 2002, Douglas McGray published an article in Foreign Policy discussing Japan’s status as a soft power superpower, including its use of popular culture. Much attention has since been paid to Japanese cultural and creative industries ranging from examinations of anime, manga, pop music, street fashion, and film, to name but a few. Today, access to Japanese popular culture has [...]References
McGray, D. (2002) Japan’s gross national cool. Foreign policy, Vol. 130, 44-54
McLelland, M. (2017) The End of Cool Japan: Ethical, legal, and cultural challenges to Japanese popular culture. New York: Routledge
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Copyright (c) 2017 Simon Turner